Sunday, 3 November 2019
TEKKEN 7 PC Gameplay - Max Settings - GTX 1050 ti Gaming - Xeon E5620 PC...
Write some thoughts what you are feel in my palace
Wednesday, 30 October 2019
Control Pc Gameplay - Max Settings - GTX 1050 ti 4GB Gaming - Xeon E5620...
Write some thoughts what you are feel in my palace
Control Pc Gameplay - Max Settings - GTX 1050 ti 4GB Gaming - Xeon E5620...
Write some thoughts what you are feel in my palace
Sunday, 11 December 2016
Uncharted The Nathan Drake Collection Demo Ps4 Slim
Write some thoughts what you are feel in my palace
Uncharted The Nathan Drake Collection Helicopter Down
Write some thoughts what you are feel in my palace
Saturday, 10 December 2016
Thursday, 19 February 2015
Adobe Photoshop CS6 Essential Training Lectures
Learning how to use Adobe Photoshop efficiently and effectively is the
best way to get the most out of your pixels and create stunning imagery.
Master the fundamentals of this program with us and
discover how to achieve the results you want with Photoshop and its
companion programs, Bridge and Camera Raw. This comprehensive course
covers nondestructive editing techniques using layers, masking,
adjustment layers, blend modes, and Smart Objects. Find out how to
perform common editing tasks, including lens correction, cropping and
straightening, color and tonal adjustments, noise reduction, shadow and
highlight detail recovery, sharpening, and retouching.We also shows how to achieve more creative effects with filters, layer effects,
illustrative type, and the Photomerge command for creating panoramas and
composites. Adobe Photoshop
Adobe Photoshop is used by photographers, graphic and web designers, videographers,
and 3D artists, to enhance and manipulate photos, and create original digital artwork.
Photographers use Photoshop for correcting exposure or modifying color,
cropping, aligning, and rotating photos to achieve better compositions, restoring
and retouching images, combining multiple images into composites, and simulating a
variety of photographic lens effects. Designers use Photoshop for creating
textures for web backgrounds and photo realism, manipulating type by using 3D
extrusions and layer styles, creating comps of website and mobile application
designs, and applying special effects like blurs and lighting effects.
Videographers use Photoshop for assembling image sequences into timeline
animations, removing unwanted objects from various frames of their video,
repairing videos using cloning and healing tools, and creating
frame-by-frame animation for cartoons and special effects.
3D artists use Photoshop for creating three-dimensional shapes for use in other
applications, creating 3D objects using extrusion tools for use in title
sequences, and painting 3D environments for film and TV backdrops.
There are dozens of other types of people using Photoshop in their daily work, creating amazing projects and original artwork like these. Photoshop also integrates with other Adobe applications, like InDesign for print production and digital magazines, or After Effects in Premiere for video compositing. Whether you're a designer, photographer, or video production artist, Adobe Photoshop gives you the tools to help you achieve your creative vision.
It Begins in Bridge
As we take more and more photographs or work with more and more images, we're
going to need a way to quickly see them all as well as organize them before
deciding which ones to open in Photoshop. I feel that it's far too tedious to
actually use the file open dialog in Photoshop because I have to navigate and
look at each image individually. I can't see more than one image at a
time, and although I can scroll over and use one of these other ways to describe
the images. You don't really see the necessary
information that I like to see about each image.
Fortunately Photoshop comes with an incredibly powerful companion application called Adobe Bridge. And it's far easier to use Bridge to navigate the folders on your hard drive and open images. If you haven't already installed Bridge please see the introductory lessons of this course on how to install it. In order to quickly move to Bridge, I can use the File menu, and then Browse in Bridge, or use the keyboard shortcut Cmd-Opt-O on the Macintosh, Ctrl-Alt-O on Windows. This takes me immediately to Bridge. If Bridge hadn't already been running, it would also launch Bridge, and this is the default view.
Now Bridge is a visual media manager and it's going to help us to work with our images. You can see here with a path across the top that I'm in the desktop area. I also know that because right here in the Favorites area it's highlighted. If I want to see an additional folder structure I can click on the Folders tab... And then use the disclosure triangles in order to see the contents of different folders. When I click on the folder we can see the contents of that folder here in the content area, and if I select an image I get a larger preview over here in the preview area. If I select more than one image, we can see both of those images being previewed. If I want to open an image, I simply click on the single image, double click on it, and it opens it up in Photoshop.
Let's go ahead and close this image by choosing File and then Close, or on Mac, I can use Cmd + W, on Windows, Ctrl + W. And then, to quickly return to Bridge, we'll use that keyboard shortcut, Option + Cmnd + O. If I'm in Bridge and I want to move back to Photoshop the easiest way is to simply click the icon of the boomerang. That takes me directly back to Photoshop. Let's go back to Bridge for one moment because I just want to show you that you can also select an image or in fact I can hold down the Command key and select more than one image... And then I can click and drag these to any other folder. If i were to let go of the mouse rigth now Bridge would actually move the images on my operating system.
Now I don't want to do that so I'll go ahead an bring them into the context area and release the mouse. But you should just now that bridge isn't just for looking at images. You can also organize your assets and move not only your files, but also your folders. So, as you can see, Bridge is going to be much easier, and a much more efficient way, to navigate to different folders and view different images, and open them up in Photoshop.
Fortunately Photoshop comes with an incredibly powerful companion application called Adobe Bridge. And it's far easier to use Bridge to navigate the folders on your hard drive and open images. If you haven't already installed Bridge please see the introductory lessons of this course on how to install it. In order to quickly move to Bridge, I can use the File menu, and then Browse in Bridge, or use the keyboard shortcut Cmd-Opt-O on the Macintosh, Ctrl-Alt-O on Windows. This takes me immediately to Bridge. If Bridge hadn't already been running, it would also launch Bridge, and this is the default view.
Now Bridge is a visual media manager and it's going to help us to work with our images. You can see here with a path across the top that I'm in the desktop area. I also know that because right here in the Favorites area it's highlighted. If I want to see an additional folder structure I can click on the Folders tab... And then use the disclosure triangles in order to see the contents of different folders. When I click on the folder we can see the contents of that folder here in the content area, and if I select an image I get a larger preview over here in the preview area. If I select more than one image, we can see both of those images being previewed. If I want to open an image, I simply click on the single image, double click on it, and it opens it up in Photoshop.
Let's go ahead and close this image by choosing File and then Close, or on Mac, I can use Cmd + W, on Windows, Ctrl + W. And then, to quickly return to Bridge, we'll use that keyboard shortcut, Option + Cmnd + O. If I'm in Bridge and I want to move back to Photoshop the easiest way is to simply click the icon of the boomerang. That takes me directly back to Photoshop. Let's go back to Bridge for one moment because I just want to show you that you can also select an image or in fact I can hold down the Command key and select more than one image... And then I can click and drag these to any other folder. If i were to let go of the mouse rigth now Bridge would actually move the images on my operating system.
Now I don't want to do that so I'll go ahead an bring them into the context area and release the mouse. But you should just now that bridge isn't just for looking at images. You can also organize your assets and move not only your files, but also your folders. So, as you can see, Bridge is going to be much easier, and a much more efficient way, to navigate to different folders and view different images, and open them up in Photoshop.
Camera Raw Essentials
There are two primary formats that digital cameras capture today, RAW and JPEG.
But what can be confusing is that there are a lot of different flavors of raw.
It's sort of a generic term that people use to describe the unprocessed data that
the camera captures. For example Nikon's raw format is .mef
and Canon's raw format is .crw. These file formats are all very similar
and that they contain much of the same information such as meta data about the
camera settings and image information. But there's just no standard way of
writing a RAW file, so each one has its own unique order to the data.
There s one RAW format that's not proprietary, and that's the DNG format.
Many people convert their files into DNG because of the fact that it's an
openly-documented file format in hopes that their files will be able to opened
farther into the future and if they're kept in a proprietary format.
Adobe's the creator of the DNG format and more information can be found on their website.
It's important to know that if you compare the quality of a RAW format
versus a JPEG, there's more information in a RAW file.
For example capturing in RAW creates images with greater dynamic range, larger color spaces and, therefore, allows more flexibility in post processing. Basically you can make larger adjustments to your RAW files without losing image quality. Capturing in the JPEG format while rendering a smaller file that's faster to download forces the camera software to process the file using lossy compression, which throws away thousands of colors and tonal values. The end result is that you can't make as dramatic changes without losing quality.
Basically, capturing RAW gives you a bigger box of crayons to work with, so let's take a look at this example. I'm going to select these two images that are of the same scene, but one is a DNG or a RAW file, and the other is a JPEG file. Now in order to open these both in the camera raw, instead of using file open or double-clicking on them, I'm going to click on the open in camera raw icon. Then in order to see this full screen, I'll click on the full screen preview We can see that I have my 2 files open. The jpg file and the dmg file.
And that I can move back and forth between them by just clicking on their icons. What I'm going to do is, we'll perform a simple autoadjustment on the dmg file. And you can see that it's recovered a lot of information in the highlight area. Because this image was overexposed to begin with. I'll go ahead and move the highlight slider to the left even more to recover a little bit more information. Then we'll do the same thing to the JPEG. I'll select it and click Auto. And then move my Highlight slider down.
Now, let's zoom in to this area here. I'll click once, one more time so that we're viewing at 100%, and I'll use the space bar in order to temporarily access the hand tool, or you can click on the hand tool. And then just scoot this over. I want to make sure that I'm viewing the upper left hand corner, so here's the result of the processing on the JPEG and if I move to the DNG file and we zoom in either by clicking with a zoom tool or by selecting 100% and using the hand tool in order to scroll to the top of the image and we can see that there's a lot more information...
Being held in those highlight areas with the DNG file. So again, here's the JPG file you can see that we don't have a lot of detail in those highlights. And here it is compared to the DNG. Now even though we're pulling back in the detail in the highlights, this isn't to say that you shouldn't do your best to make the correct exposure in camera It's just to point out that if you need to make changes to your Photograph, you'll have more information to work with if you capture in Raw. Of course, if you really over expose your image, then even capturing in raw might not save you. If there's no information in the highlights, nothing can bring back information that's not there.
Of course, there are times when capturing in jpg has it's advantages. 1st, all the files are going to be much smaller. And therefore faster to download. Therefore, some experienced photographers like maybe and event photographer that's photographing each participant with the same background and a controlled lighting condition. Or who's confident that their images will not need corrections might capture in JPEG. But for most of us, I would recommend that, if given the option, capture in RAW, so that you have the ability to make corrections in post without compromising any image quality. In order to back out of the Camera RAW dialogue box without making any changes to this image, I'm going to select Cancel And then I'll choose yes. So there we can see the advantage of Raw over Jpeg in the ability to pull out information after capture.
Fixing Common Problems Quickly with Camera Raw
One of the huge advantages of cropping in
Adobe Camera Raw is that it's completely not destructive.
So you can go back at any point in time and change your mind
about what you want to include in an image and what you want to hide.
In order to open this file in Adobe Camera Raw because
its a jpeg file I'll click the opening Camera Raw icon.
Now the first thing that I'm noticing are these red
highlights, and that's because in a previous movie I turned
on the clipping warnings.
So we'll quickly turn those off by clicking on the triangles
in the upper left and the upper right of the histogram.
Now, to select the crop tool, you can either select it from the tool bar or simply tap the C key. Then, to drag out your crop, click and drag. Once you release the mouse, you can always re-size the crop by clicking on the anchor point and dragging, or you can reposition the crop by positioning your cursor inside of it and clicking and dragging the crop marquee. If I want to apply this crop I tap the Enter or the Return key. But you'll notice, if I tap the C key again to select the crop tool, all of that information that I had cropped is still there.
So camera Raw is doing non-destructive cropping. No matter how many times I go in here and change the crop and re-crop my file, all of the information outside of the crop will still be saved. If I have a specific aspect ratio that I want to crop to, Then, I can click and hold on the crop tool. In the drop down menu, I would select the aspect ratio that I wanted or I could even click Custom and enter in a custom aspect ratio. For now, I'll choose four by five.
You'll notice that the middle anchor points disappear. I can still move the crop marquee and I can still resize the marquee but it's being constrained to the aspect ratio that I selected. Another feature of the crop tool is the ability to show an overlay. You'll notice that the image has been divided into thirds, this is to help with our composition. Instead of putting our main subject right in the center of the image, we might want to put it near these intersecting lines, so if the door was the main subject I would want to scoot over my crop marquee.
To turn off the overlay, simply select it from the list. In order to apply the crop, I'm going to click Done. You'll notice that the thumb nail has been updated in Bridge, and there's a little crop icon to tell me that this image has been cropped. Now there's one last thing that I want to tell you and make sure that you're aware of. So let's return back into Adobe Camera Raw. When we select the crop tool, you'll notice that we did actually select an aspect ratio, but we didn't choose a specific output size.
So in Camera Raw, the crop tool only lets you select the aspect ratio. The file size, the image size that you either hand off to Photoshop or that you save the file out to, is going to be determined by either your work flow settings or by the save image options. There will be additional videos about file size and printing in later tutorials, but for now just know that your crop tool is only setting the aspect ratio. Excellent. Let's click Done.
And it's just that image to crop your image non-destructively in Camera Raw.
Now, to select the crop tool, you can either select it from the tool bar or simply tap the C key. Then, to drag out your crop, click and drag. Once you release the mouse, you can always re-size the crop by clicking on the anchor point and dragging, or you can reposition the crop by positioning your cursor inside of it and clicking and dragging the crop marquee. If I want to apply this crop I tap the Enter or the Return key. But you'll notice, if I tap the C key again to select the crop tool, all of that information that I had cropped is still there.
So camera Raw is doing non-destructive cropping. No matter how many times I go in here and change the crop and re-crop my file, all of the information outside of the crop will still be saved. If I have a specific aspect ratio that I want to crop to, Then, I can click and hold on the crop tool. In the drop down menu, I would select the aspect ratio that I wanted or I could even click Custom and enter in a custom aspect ratio. For now, I'll choose four by five.
You'll notice that the middle anchor points disappear. I can still move the crop marquee and I can still resize the marquee but it's being constrained to the aspect ratio that I selected. Another feature of the crop tool is the ability to show an overlay. You'll notice that the image has been divided into thirds, this is to help with our composition. Instead of putting our main subject right in the center of the image, we might want to put it near these intersecting lines, so if the door was the main subject I would want to scoot over my crop marquee.
To turn off the overlay, simply select it from the list. In order to apply the crop, I'm going to click Done. You'll notice that the thumb nail has been updated in Bridge, and there's a little crop icon to tell me that this image has been cropped. Now there's one last thing that I want to tell you and make sure that you're aware of. So let's return back into Adobe Camera Raw. When we select the crop tool, you'll notice that we did actually select an aspect ratio, but we didn't choose a specific output size.
So in Camera Raw, the crop tool only lets you select the aspect ratio. The file size, the image size that you either hand off to Photoshop or that you save the file out to, is going to be determined by either your work flow settings or by the save image options. There will be additional videos about file size and printing in later tutorials, but for now just know that your crop tool is only setting the aspect ratio. Excellent. Let's click Done.
And it's just that image to crop your image non-destructively in Camera Raw.
Automating Camera Raw
Once you understand the power of Camera Raw, then you're going to want to speed
up your workflow by learning how to process multiple files at one time.
Let's go ahead and make a change to this first image here.
I'll open it in Camera Raw using Cmd+R or Ctrl+R and we'll add a simple vignette.
I'll move over to the Effects panel. I will actually add a white edge here,
and I'm going to make it very obvious by not adding a feather to it.
We'll go ahead and make it more rectangular and then we'll bring in the midpoint.
I just want to make sure that this is a super obvious change.
Then I'll click Done and we can see that change in Bridge. Now if I want to apply that change to another image, the easiest way to do this would be to use the Edit menu, and then choose Develop Settings and copy Camera RAWm settings or use Cmd+Option+C or Ctrl+Alt+C on Windows. Now those settings are copied to the clipboard, I can select the next image. Use Edit, Develop Settings, an then paste those Camera Raw settings, which is Cmd+Option+V or Ctrl+Alt+V. Camera Raw is going to ask me which setting I want to paste. In this case I could paste everything, but I'm going to choose to just paste my post crop vignetting.
When I click OK we can see that the vignette from the first image has now been copied and pasted to the second. I also want to show you that you can access these menu items by simply right mouse clicking on the image, and then choosing Develop Settings and copying and pasting your settings here. And if we want to remove any setting from images, we can select multiple images, right mouse click, and then choose Develop Settings, and then clear those settings. You'll notice that as soon as I select Clear Settings, the vignette goes away as does the icon that represents the Camera RAW settings.
Then I'll click Done and we can see that change in Bridge. Now if I want to apply that change to another image, the easiest way to do this would be to use the Edit menu, and then choose Develop Settings and copy Camera RAWm settings or use Cmd+Option+C or Ctrl+Alt+C on Windows. Now those settings are copied to the clipboard, I can select the next image. Use Edit, Develop Settings, an then paste those Camera Raw settings, which is Cmd+Option+V or Ctrl+Alt+V. Camera Raw is going to ask me which setting I want to paste. In this case I could paste everything, but I'm going to choose to just paste my post crop vignetting.
When I click OK we can see that the vignette from the first image has now been copied and pasted to the second. I also want to show you that you can access these menu items by simply right mouse clicking on the image, and then choosing Develop Settings and copying and pasting your settings here. And if we want to remove any setting from images, we can select multiple images, right mouse click, and then choose Develop Settings, and then clear those settings. You'll notice that as soon as I select Clear Settings, the vignette goes away as does the icon that represents the Camera RAW settings.
Subscribe to:
Posts (Atom)